Student Posts

Capturing Childlike Wonder

“Stop and Smell the Flowers” by Caitlin Woodington is licensed under CC BY-NC-ND 4.0
“Childlike Wonder” by Caitlin Woodington is licensed under CC BY-NC-ND 4.0

Like most parents my photos app is full of photos of my young son. Thousands of images representing moments in his young life, all trying to capture the fleeting moments of his childhood. While I love a posed image where he’s smiling and looking directly at my camera, though in full transparency I use my phone to capture more photos these days instead pulling out my DSLR camera, my favorite photos of him are the upstaged images, capturing moments that show his childlike awe and wonder at the world around him.

The original image was taken on an unseasonably warm autumnal day when we still lived in Wales as my son and I traipsed around Bute Park in Cardiff making the most of the weather. Due the weather some of the flowers in the park were still lingering, and my son at this age was literally always eager to stop and smell the flowers. While the I love the original image, especially the placement of his feet as he slowed from his typical pace of running to smell these flowers, I find by cropping the image to zoom in on him as well as by off centering him the image better highlights and exhibits his childlike wonder as he takes in the flower. To help obtain this sense of childlike awe I cropped the photo using the rule of thirds to ensure his eyes were the focal point the viewer would be drawn to. By cropping the photo it also elevates little details that may be missed in the original image, such as his dirty fingers from playing in the dirt moments before this image was captured. Cropping the image shows the magic of childhood in a sense, where the ordinary things adults often pass by become extraordinary in the fresh perspective of a child.

Additionally, I adjusted the color and brightness settings to accentuate my son and the flower instead of the green in the background.

Lottie In The Zone

“Lottie” by Jaleen Bedminster is licensed under CC BY 4.0
“Lottie is attentive” by Jaleen Bedminster was adapted from “Lottie” by Jaleen Bedminster licensed under CC BY 4.0. “Lottie is attentive” is licensed under used under CC BY 4.0 by Jaleen Bedminster.

My cat Lottie, who was 7 months old when this photo was taken, is a very laid-back cat until it’s time to play. In the original photo, you can see the background is very noisy and it’s a bit difficult to focus on what she is playing with. It looks like I had just come from school and changed my attire because my bookbag is on top of my dressing table, wide open, and my closet door is also open. It also looks like I recently opened a package, and the item inside was intended for Lottie to play with, so I sat on the floor to play with her.

In the edited photo, I minimized the background by first cropping out the noise utilizing the 1:1 Square preset. I utilized the “rule of thirds’, and positioned her in the right corner of the photo where it’s eye level for the viewers to have eye space when viewing my precious Lottie. I also wanted to highlight her beautiful coat pattern so I increased the brightness and reduced the contrast to bring out the white and ashy goldish/brown color her fur exuberates. Additionally, I adjusted the color balance to make her fur look even more vibrant and sharpened the image to bring out the details in her eyes and whiskers. I feel like this photo captures Lottie’s playful spirit perfectly. When Lottie gets in her “zone” to play with her favorite wand, I love how her pupils dilate. Not only do her eyes track the movement of the toy, but her head moves wherever it goes. I remember how she pounced on the toy with such enthusiasm, making me laugh and forget about whatever was going on at the time.

Shooting the Building

Cameramen stand atop vehicles to shoot footage of a building's demolition in 1940. Black and White
Apartment building blasted to make room for War Department building (…)*” by Harris & Ewing, courtesy of the Harris & Ewing Collection, Prints & Photographs Division, Library of Congress, LC-DIG-hec-28354 (digital file from original negative) is licensed in the Public Domain in accordance with the Library of Congress’ best practices
Black and white photo of 1940s camera operator filming building demolition
“Shooting Destruction” by Craig Moore is licensed under CC BY 4.0

Beginning with a compelling, action-packed image from the Library of Congress’ “Mystery Photos” series, I wanted to see what I could create by further removing context. The image was originally published in this collection because its origin and historical context was unknown by preservationists. After some internet sleuthing, users determined that the image was taken in 1940 during the demolition of an apartment to secure the site of the future War Department Building in Washington DC.

For the purposes of this exercise, I’ve opted to eschew the context uncovered by users in favor of telling a new story through cropping. Removing the swarm of onlookers and second camera operator, I’ve highlighted a single figure as the new focal point. The new image is cropped tightly, creating a sense of intimacy and more immediate danger between the camera operator and the destruction in the distance, which is increasingly foregrounded through the cropping.

In the new image, viewers might imagine the figure as the sole witness of the destruction. Is he far enough away to stay safe? Taking it a step further, reducing the image to a single onlooker creates a sense of cause and effect. To what degree is the figure responsible for the destruction? They don’t call it shooting footage for nothing…

*Full Library of Congress title: Apartment building blasted to make room for War Department building. Washington D.C. Mar 20–what looks to be a photo from Europe is in reality a photograph taken in Washington this morning when a 9-story building was blasted down to make room for the new $4,300,000 war department building. The blast was so neatly placed in the concrete and steel building that it gently folded up like an accordion and collapsed. Photo shows movie photographers as they filmed the scene

Former title: Motion picture cameramen filming on top of cars, the demolition of the Boulevard Apartments at 2121 New York Ave. NW, Washington, D.C.

Somewhere Over the Epcot Ball

“Triple Rainbow” by Mariah Fuertes is licensed under CC BY 4.0
“This work, “Somewhere Over the Epcot Ball”, is adapted from “Triple Rainbow” by Mariah Fuertes, used under CC BY 4.0. “Somewhere Over the Epcot Ball” is licensed under CC BY 4.0 by Mariah Fuertes.

Though the original photo is bright, fun, and colorful, it lacks focus. Because the image provides a full, rich background, my subject risks not being the center of attention. Since the eye is naturally drawn to the center of the image, where the infamous Epcot Ball is cradled between two rainbows, I decided to crop this original photo to emphasize a new focal point. 

In the cropped image, the changes –though seemingly small– does impact the overall composition. The change in focal point allows the eye to focus solely on the Epcot Ball with little to no competition. I’ve also opted to simplify the background by cutting out unnecessary “white space”, eliminating the excess amount of blue sky and garden railing. At first, I was worried the people in the background would make the photo still appear busy, but I believe it adds a subtle dose of reality to the image overall–humanizing the experience of the location. I also think uncentering the Epcot Ball aided in elongating the photo, creating a more artistic appeal. 

Sweet Honey

“Honey” by Olivia Samimy is licensed under CC BY-NC-ND
“Sweet Honey”  by Olivia Samimy is licensed under CC BY-NC-ND

I took this original photo of my gorgeous cat, Honey. While she looks beautiful, the image has a lot of distracting background. You can see my messy living room on one side and the edge of Honey’s cat tree on the other. Additionally, Honey is in almost the dead center of the image. 

By cropping, I brought Honey’s eyes up to the top third of the image to bring her to eye level. I also removed the unnecessary details. Finally, I also uncentered the subject, and brought Honey a little more to the right to make the image more visually interesting. This makes use of the negative space on the other side of her. It looks like she is intently looking out and this leaves her space to do so and raises the question of what she was looking at.

In addition to the cropping, I turned up the saturation and vibrance to make her beautiful orange pop. I also turned up the shadows a little bit to cast the background into darkness. This focuses the viewer on Honey, as she is the real star of the show. 

Dog in the sun

Dog outside by Heather Kwak, CC BY-NC-ND 4.0 DEED
Melodramatic Dog by Heather Kwak, CC BY-NC-ND 4.0 DEED

My dog isn’t a fan of the cold, so putting a sweater on him is a must! I snapped a photo of him outside in the grass, and although it was a great photo of him, he could really capture the spotlight more with some editing!

The original image was a bit messy, with distractions like his shadow and uneven lighting. I adjusted the temperature to cooler colors and decided to use less contrast. I also made sure to crop the photo make him the focal point. I cropped the image using the “rule of thirds.” Instead of keeping him in the center, I positioned him at the top right intersection of the imaginary grid. This made him instantly more dynamic. Cropping also allowed me to remove his shadow and some of the distracting background.

The edited image is much better! He is definitely the main character now.

When looking for an image, I chose to look through pictures through my photo gallery. It was very easy to choose my pets as inspiration. This image looks even deeper now that it looks like he is looking out into the far distance.

Here Comes the Flowers

“Untitled” by PhotosbyAr is licensed under CC BY 2.0.

Audio: “Nature Sounds” by roisin.gleeson is licensed under CC BY 4.0.

I chose this image because it grabs my attention immediately. The colors were beautiful and calming. The title of the song Nature Sounds spoke directly to the image i choose. The soundtrack enhances the reality I sense, it felt as though I was walking through the flowers. This invites you to immerse yourself into the beauty of nature. Especially for me because I love walking through nature. So hearing realistic sounds made it easy for me to imagine walking through a field of flowers near a highway.

Apocalypse at the Ballet

Apocalypse at the Ballet by J. J. Grandville, from Un Autre Monde, Public Domain Worldwide.

2024 remix of Freesound [424626[424420]] Problem Child by Timbre, from Freesound, Licensed under CC BY-NC 4.0.

This combination is licensed under CC BY-NC-SA 4.0.

Behind the Scenes

I studied art history during my undergrad, and the movement I came back to over and over again was Surrealism. It spoke to the part of me that has always been fascinated by dreams and everything that remains mysterious about our experience.

Although Surrealism proper started in the 1920’s and probably has quite a few works in the public domain, I wanted to look further back, partially to be sure my image would be copyright-free and partially to find some art I had not seen before. I was very excited to find out about J. J. Grandville, a French illustrator who lived during the first half of the nineteenth century and inspired many artists and authors who came after him.

The image you see here is called “Apocalypse at the Ballet,” and I love it for a number of reasons, the primary one being that it’s just fun. Everything in it seems like it’s in motion, and I get the sense that Grandville genuinely enjoyed playing with similarities in forms here. It seems like the kind of fun you have when you let your mind wander while doodling on the side of your notebook. Another reason is that I love seeing different interpretations of an apocalypse. Whether it’s literal or metaphorical, it’s always revealing.

When looking for an accompanying sound, I started browsing freesound.org’s “weird” and “experimental” tags to get some ideas. I figured I would find something in those places that could compliment surreal imagery well. Timbre’s “2024 Remix…” really emphasized the movement that felt so strong in Grandville’s illustration. I’m struggling to find the words to describe the music other than “fast-paced” and “electronic.” It reminds me of hyperpop, but I have no idea if that label is correct. Overall, I think that when the music is added, it makes the whole thing feel less like a strange night at the ballet and more like a wild rave.

A Shift in Perspective

How “Yesterday’s Rain” Transforms the Underwater Scene

Initially, the image of the woman snorkeling struck me as hauntingly beautiful, capturing the essence of life’s struggles. With her head submerged beneath the water, it evoked a sense of isolation and the weight of challenges that often feel overwhelming. In that moment, I could relate to the feeling of being underwater, grappling with the currents of life that sometimes pull us down.

However, as I listened to “Yesterday’s Rain” by Andrew Stanton, everything shifted. The upbeat techno rhythm infused the scene with a sense of energy and optimism, transforming my perception of the image. The pulsating beats and vibrant melodies encouraged me to embrace a more hopeful outlook, reminding me that while life can be difficult, it is also filled with moments of joy and resilience.

Photo by Daniel Torobekov from Pexels
Andrew Stanton from soundstripe

As the techno track plays on, I envision myself breaking through the surface, my head finally above the water. The vibrant energy of the music mirrors the sunlight shining down, illuminating the path ahead and filling me with a sense of freedom. The combination of the upbeat sound and the image of the woman snorkeling creates a powerful narrative of resilience and hope. It reminds me that while life may have its depths, there is always a way to rise, to breathe, and to embrace the beauty that lies above.

In this way, “Yesterday’s Rain” not only enhances the visual experience but also transforms it into a celebration of survival and triumph. It encourages us to acknowledge our past while looking forward to the future with optimism. As I reflect on both the image and the song, I am filled with gratitude for the journey that has brought me to this moment—one of clarity, strength, and the promise of new beginnings

Sounds of the Alhambra

Dawn Charles V Palace Alhambra Granada Andalusia Spain” by Jebulon is marked with CC0 1.0

During my trip to Europe this winter break, I had the privilege of seeing the Alhambra from the Mirador de San Nicolás viewpoint in Granada, Spain. As the sun was setting, the glow of the Alhambra was one of the most picturesque sights I have laid my eyes on. In the background of my view, the snow-capped Sierra Nevada mountains glistened as the sky turned from blue, to pink, to complete darkness. As I was watching the sunset from this lookout, there was a group of three Flamenco artists playing the guitar and singing a traditional Andalusian song. Flamenco music and dancing can be found everywhere in Granada and the addition of this part of the culture made my experience more memorable. After hearing the three men play that night, I was hooked and knew that I needed to adventure to a traditional Tablao for a Flamenco show. I chose Jardines de Zoraya and was blown away by the synchronicity and fluidness of the performance.

With that in mind, I chose this audio because it reminded me of the song that I heard the day I visited Alhambra. Without hearing this music, the image is stunning, yet the addition of the sounds makes it hard not to crave being there. The music enhances the rich cultural aspects of Granada and ensures that the Alhambra is more than a beautiful monument.

Terms of Use: “Sounds of the Alhambra” by Kyla Cacoilo is licensed under CC BY-SA 4.0