Student Posts

Butterfly Garden at Atlantic Beach, Florida

Photography has been a passion of mine for years, I unfortunately had to put the camera down during my freshman year of college because I was super busy with school. I had a ton of photographs to choose from and I mean a ton. It was extremely hard to choose which photograph to use for this assignment because I have a ton of photographs and it was a tough decision to make. I tend to take my camera everywhere I travel and capture photographs of subjects or things that stick out to me.

This photograph was captured at Atlantic Beach, Florida near the life guard tower. The sand dunes had wild flowers and plants, but also many butterflies. There were a ton of butterflies flying around the sand dune wild flowers and plants. This specific photograph stuck out to me due the composition, the vibrant colors and the subject of the photograph. There was too much unnecessary empty greenery space in the photograph. I decided that I wanted to have a close up perspective versus farther away, so that you can focus more on the Butterfly rather than the butterfly and greenery. Therefore I cropped out the excess greenery in the background so that the photograph could have a change in perspective and changes the focal point. Then I went back and decided to slightly adjust contrast, brightness and curves. Overall, The cropped version of the photograph plays into the rule of thirds while bringing the butterfly closer to the viewer and making it more apparent that the butterfly is the main subject of the photograph.

Earth Goddess: Keeper of the Garden

“Earth Goddess 2.0” (2025) by Amanda Pazos is licensed under CC BY 4.0 . This work is adapted from “Garden Goddess” (2023) by Amanda Pazos, used under CC BY 4.0 
“Garden Goddess” (2023) by Amanda Pazos is licensed under CC BY 4.0 

I took this photo at the Atlanta Botanical Garden in Atlanta, GA. The original shot was beautiful, but the statue felt too far away, and the foreground didn’t really add to the story I wanted to tell. While the fountain was a nice element, it competed with the statue for attention, so I decided to remove it.

To fix this, I cropped the image to bring the statue closer and make her the main focal point. This helped highlight the intricate details, like the flowers flowing through her hair. I also removed some extra greenery and the fountain in the foreground to keep the composition clean and direct the viewer’s eye straight to the statue.

When editing, I used Pixlr and selected the Monitor preset while cropping to keep a balanced aspect ratio. I also used the Auto Fix tool to brighten the image, which helped bring out the details in both the sculpture and the surrounding greenery. The small adjustments made the statue feel more vibrant and connected to nature.

I followed the rule of thirds by positioning the Earth Goddess slightly to the left, making sure her full figure was visible while still keeping some of the surrounding greenery. I also used tight framing to eliminate distractions and make the image feel more intimate.

In the end, these edits helped shift the focus back to the Earth Goddess and her connection to the garden, creating a stronger and more visually appealing composition.

Sinatra’s Secret? Always Read the Fine Print!

“[Portrait of Frank Sinatra and Axel Stordahl, Liederkrantz Hall, New York, N.Y., ca 1947]” by William P. Gottlieb, courtesy of the William P. Gottlieb/Ira and Leonore S. Gershwin Fund Collection, Music Division, Library of Congress is licensed in the Public Domain with some rights reserved.
This work, “Frank Sinatra Reading Sheet Music” by Emily Murray, is adapted from “[Portrait of Frank Sinatra and Axel Stordahl, Liederkrantz Hall, New York, N.Y., ca 1947]” by William P. Gottlieb, is licensed in the Public Domain with some rights reserved. “Frank Sinatra Reading Sheet Music” by Emily Murray is licensed under Public Domain.

I began this assignment prompt by searching through my personal albums, Pexels, Flickr, and through digital collections at the Library of Congress. Many collections caught my eye, but ultimately I really enjoyed searching through the William P. Gottlieb Collection that contains images documenting the jazz scene in New York City and Washington, D.C., from 1938 to 1948.

After cropping many photographs from this collection, I chose to highlight the above image of Frank Sinatra and Axel Stordahl at Liederkrantz Hall in New York, circa 1947. The original image is very busy, with Frank Sinatra in the foreground in the right-hand corner and the large orchestra in the background. I decided to crop the group of men in the background out using the 1:1 square preset and make Frank Sinatra the focal point, plus keeping him slightly off center to follow the rule of thirds. I also tried a similiar method after, instead cropping out Frank Sinatra and making the focal point the orchestra, but didn’t like the outcome as much because, for me, it’s too dark and has too much negative space (included below as well).

This work, “Axel Stordahl with Orchestra” by Emily Murray, is adapted from “[Portrait of Frank Sinatra and Axel Stordahl, Liederkrantz Hall, New York, N.Y., ca 1947]” by William P. Gottlieb, is licensed in the Public Domain with some rights reserved. “Axel Stordahl with Orchestra” by Emily Murray is licensed under Public Domain.

A Viewpoint with a Million Stories

“Mirador de Gibralfaro” by Kyla Cacoilo is licensed under CC BY-NC-ND.
“El Matador” by Kyla Cacoilo is licensed under CC BY-NC-ND.

I took this photo during my winter trip after hiking to the top of the Mirador de Gibralfaro in Malaga, Spain. We reached the top of the viewpoint right before the sunset, and the colorful buildings of Malaga came alive. Although I could only capture one perspective of the view in a photo, taking a 360-degree glance from the viewpoint made me think how every individual I could see has lived a different story. From the cruise boats at the port to the port operators, the X-pats residing in the beach highrises, the tourists hiking up the mountain with me, and the Spaniards who have lived in Malaga their whole lives, each individual has a different upbringing and goal. I chose to focus on the Plaza de Toros de La Malagueta for the cropped image to highlight the Spanish traditions and culture associated with bullfighting. Although I believe bullfighting is unethical, it is fascinating that the Malaga Bullring is still functional and has become one of the most prominent bullrings in Spain. I named the image “The Matador” because that is the Spanish name for the bullfighter who tries to kill the bull. From this image, you can see inside the bullring, and it was easy for me to imagine the stadium full of people waiting to see who would win the fight. Cropping the image also helped remove some noise from the trees and grass along the hiking path. I followed the rule of thirds to ensure that the focal point brought the most attention and was more balanced. I love this image because if I were to focus further into the horizon on the freight ship in the background, I would have been able to consider the lives of a different group of people who sail the sea for a living.

Orinoco Flows

“Orinoco Flows” by Jason Rosario is licensed under Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0)

“Sail away, sail away, sail away…”. If you did not immediately understand the reference, it is from Enya’s song, Orinoco Flow (Sail Away). Do you hear it now too while looking at “Orinoco Flows”? Using my Macbook’s Apple Photos App, I cropped my original photo and changed the photo filter to create “Orinoco Flows”. It creates a completely new story separate from the original photo, which evokes a sense of travel and exploration to me. I use the rule of thirds to create negative space on the left of the image to emphasize the boat sailing away towards the right end of the image. I also set the horizon on the bottom horizontal line grid, which is best used when shooting sunset photos. I placed the Sun as a point of interest in the power point where the upper horizontal line grid and right vertical line grid intersect. Lastly, I changed the photo filter to “Dramatic Warm” to enhance the shadows from the ocean ripples and add an overall yellow tint to infer the sunset just before dusk.

“Babymoon Sunset Cruise 2025” by Jason Rosario is licensed under Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0)

After looking through hundreds of recent digital photos in my iPhoto library, the sail boat in the background of a babymoon photo caught my eye. The intent of my original photo was to capture my beautiful wife with the sunset behind her while we were enjoying our sunset cruise out in the ocean in Key Largo. I don’t even recall seeing that particular sail boat while taking this picture. I’m really amazed at how a simple cropping and photo filter tweak can create a completely new story from within the same photo. Now, is it just me or do you also still hear Enya’s song in your head? Sorry, not sorry.

Rural Sunset

Sunset, Before the Storm by Breanna Butler

Sunset, Before the Storm by Breanna Butler CC BY-NC 4.0

I took this photo in September, 2022, before Hurricane Ian made landfall. My husband and I were enjoying the nice weather outside before the oncoming storm arrived. Because of where we were located, we did not need to evacuate. But, it was my first time riding out hurricane level winds. This photo was taken from my front porch, and I cropped it so that the sky, with its windblown clouds and sweeping colors, is the feature instead of the asphalt driveway and white fence.

The cropped image is not as busy compared to the full image. The trees give a nice border of contrast and highlight the gradient created by the colors. The crop removes the “blandness” of a man-made manicured lawn and focuses directly on the drama of nature. The only editing done was the crop. This photo was taken with my Google Pixel phone instead of my trusty DSLR, but it got the job done.

The Bridge Between the Ground and the Clouds

Original: “Returning to Palm Beach International Airport” by Connor Skaryd is licensed under CC BY-NC-ND 4.0.

I went with the image I took late last year of Palm Beach International Airport when I was returning from west palm beach. The original photo was taken from my plane seat and just trying to capture my return home to Florida and taking the image of the sunset and the sky with the beautiful clouds about their airport. the airport. There was no way for me to avoid catching the plane’s wing in the image, but it really doesn’t cover much.

Derivative “Bridge Between Ground and Clouds” by Connor Skaryd is licensed under CC BY-NC-ND 4.0.


The cropped version is really focused on the control tower. Unintentionally finding that it almost perfectly meets the bottom of the clouds with my angle, I zoomed in and narrowed the field of view from my phone’s camera to emphasize the sky about the tower and remove the airplane’s wing from the image.  I set the control tower to be at the bottom left intersection of the rule of thirds to really emphasize the sky. I set it to a more panoramic scale to really show the clouds and the deep red and oranges of the sunset. Making it so that the sun lit sky was the border between the ground and the clouds, that was then bridged by the air traffic control tower.

My goal with this edit is to make the air traffic control tower of the airport be a literal bridge to the sky in the image, while it is a metaphorical bridge to the sky, with the controllers in the tower guiding planes into the air. The main thing I wish I could change is having a better resolution and not having it so pixelated.

Who am I?

“Zebra Butterfly” by Alex Bowman 2.3.2025 CC BY-NC 2.0

It’s amazing how much cropping an image can completely transform its meaning, altering the viewer’s perception and response.

Take for example my first image, a beautiful butterfly, enjoying a flower, on a sunny day. An image like this, may depict a serene moment, with an ever so delicate butterfly. Given this picture alone, the viewer would likely admire the butterfly and move on, not questioning what else is contained in the original photo.

“Curious Cat” by Alex Bowman 2.3.2025 CC BY-NC 2.0

Conversely, focusing solely on this kitty cat’s intense gaze, a completely different image is born. A sense of the animal’s predatory instincts engulf the photo leaving the viewer wondering what lies just outside of frame. Cropping like this, is a powerful tool in visual storytelling because it controls what the viewer sees and, just as importantly, what they don’t.

Finally, the complete image, containing the full context behind the shot. When shown in full, the image may depict a moment of curiosity, with the cat gently observing the delicate butterfly. The simple act of framing highlights how context shapes interpretation, proving that what is left out of an image can be just as powerful as what is included.

Paris Holds the Key to Your Heart

Allow me to set the scene: imagine a windy day in October, cars are honking as they pass on narrow streets, between buildings whose age is reflected in their architectural design. As people walk by on the sidewalk they converse in in rapid French, and as you look around you see the juxtaposition of history and modernity in everything from the buildings, to the fashion, to the food!

This was what I saw and felt when I was fortunate enough to get to visit France with my partner’s family in October of 2023. As someone who’d never left the United States and had only recently started going on trips out of Florida, visiting France was an eye-opening experience. It certainly didn’t hurt that one of my favorite stories is The Phantom of the Opera!

Naturally, while I was there I tried to capture the moment in photos as much as possible; suffice to say that some were more successful than others.

“Nailed It” by Emily Bowlin is licensed under CC BY-NC-ND 4.0

Here is one such attempt. While you can see some of the unique architecture that so intrigued me, there is a lot going on in this particular photo.

For starters, my nail managed to sneak in at the bottom of the frame, causing some distraction. Beyond my nail-photo-bomb-faux-pas, this photo has a lot of empty space at the bottom where the road is. The traffic for the cars is going multiple ways, and despite how striking this building was to me, there’s too much motion around it to keep focus.

I would also say objects on the sides of the image, like that the street lights and the cut off bicycle change the ambiance of the photo, making it feel like I’ve cropped something out and that this was unintentional.

So, with a little cropping magic, I attempted to refocus the photo on the building that drew my eye initially.

“Je ne sais quoi” by Emily Bowlin is licensed under CC BY-NC-ND 4.0

In this crop I removed the most egregious error by cutting a lot of the empty space at the bottom. At first I tried to crop all the way up to the ground floor of the building, but that cut off the person on the moped, so I left them some space. Since this also zooms in the focus, you can see the green light, so it makes sense why there’s a little bit of empty space behind the cars that are driving forwards.

By also cropping the traffic going the opposite way it reduced some of the distraction of the photo, as both cars and people are walking around the building. To really draw focus to the building I tried to line up the center of the windows with the center-left side of the grid, so that it was de-centered.

I wanted to better capture the feel of the city as I remember it. By reducing a lot of the clutter around the photo it allowed me to focus on the smaller details, like the brown brick chimney on the building on the back right-hand side, or the people walking across the cross walk. Even the bright pink of the neon sign on the ground floor of the building peeking through the plant highlights the juxtaposition of past and present that was everywhere in Paris.

After this assignment I’ve certainly learned to appreciate the power of a good crop!

Green-Eyed Girl

“Cat in a Dirty Room” by Grace Bayliss is licensed under CC BY-NC-ND 4.0.
“Green-Eyed Girl” by Grace Bayliss is licensed under CC BY-NC-ND 4.0.

My cat is my favorite little creature ever. She is often the first person I interact with in the morning and the last one before I fall asleep. I have always loved the color green, especially a nice lime green, but when I got Luna at 13 years old, green took on a new meaning. I associate that particular shade of green with life, happiness, and head butts. For this assignment I chose this image because I thought her eyes really popped in it. I cropped the original image so that her head was lined up with the center of the left grid line according the rule of thirds. The cropped image brings more focus to her cute face and vibrant eyes, with the added bonus of cutting out the messy state of my room and that massive dust bunny.