compositions

A Little Earthly Turmoil

The picture on the left provides a glimpse of a sweet back tattoo canvassed on one of my human subject research guests from the UK. The tattoo is already at a focal point within the photo, but with some unnecessary clutter. I went ahead and cropped myself out of there. No need for me. I cleared out the background of unrecognizable lab equipment and changed the contrast a little. There were plans to adjust the coloring but, I’ll need a little more experimentation.

“UK Test Subject 1” by David Haggerty

“The Battle From Within” by David Haggerty

Let’s take a closer look at our edited photo located on the right. Within the tattoo, we have three iconic figures, or what some may call the holy trinity, performing an arm wrestling match above the knight. The armored figure isn’t so much the focus here, but rather the heavy weights above him. Upon further examination, you can see two arms thrusting through the earth’s crust, causing volcanic eruptions and plumes of smoke from the kaos.

I am waiting for you

Excursion by #Sacho# is licensed under the Creative Commons License
Attribution-NonCommercial-ShareAlike 2.0 Generic (CC BY-NC-SA 2.0)


While browsing through numerous images, my attention has been captivated by this particular photo, from which I can’t look away. What a beautiful and romantic scene it is. A man sits in the car, smiling as he looks at the beautiful girl on the street, who is like a princess. Beside the girl, a cute dog is also looking at the man. They are both basking in the amber glow of the setting sun, as if they are subjects of a living painting.

However, due to the composition of this scene, the bottom part of the street takes up too much space. You can also notice there are many bright highlights on the street, which draws my eyes to that area and away from the characters. I believe the theme and focus of the scene should be on the portion from the girl to the car, but they are too small and far away from me. Therefore, I performed a crop and re-composition on the image.

Love Story by Tianhao Liang is licensed under the Creative Commons License 
Attribution-NonCommercial-ShareAlike 2.0 Generic (CC BY-NC-SA 2.0)

This love story image is my re-composed work, mainly utilizing the concepts of ‘Crops to Change and Emphasize a Focal Point’ and ‘Leaves out unnecessary details’. This image removes the original photo’s lamp and most of the street, which redirects the narrative focus squarely upon the characters of our scene. Now, they are closer to us and we can see the man’s smiling face clearly. The sunshine on their body is more obvious and warm.

The power of composition can let the audience enter the photo’s world and feel the emotion immersively. Free from extraneous distractions, our imaginations are invited to wade into their silent dialogue, to speculate upon the subtle play of expressions and the rich tapestry of untold stories. Time seems to stand still at this moment, as the scene becomes eternal.

A Sweet Embrace

Dancing on the Boardwalk by Jordan Gore Tracy
A Sweet Embrace by Jordan Gore Tracy

A few years ago, I was asked to take some promo shots of my husband’s band at this really beautiful wedding in Simmesport, Louisiana. The band had also asked me to get some shots of people dancing and enjoying the music, in which I had no problem doing at all! Most of the dancing took place on this boardwalk you see in the picture above. The band started playing a slow song, and the mother and father of the bride took to the dance floor, and I was able to capture this lovely moment between the two of them.

I thought I was being clever trying to get the band playing while the couple was dancing, but I remember being in a very awkward spot trying to get the photo. Plus there was a bunch of people at the end of the boardwalk, and did not want to get in the actual wedding photographer’s way! However, when I look back at the original picture, my eye has no where to go. There’s also nothing in the forefront, and everything is on one plane. Personally, I think having the band in the background (no offense to them, they’re amazing!) takes away from the moment. Cropping the band out gives the photo a little more depth. It also tells a different story about the couple. With the band, it looks like they are definitely dancing, but without, it looks like she may have found out some good news, or maybe he just told her something sweet.

Apart, but together

When we think back on the past few years spent in the pandemic we think about the time spent away from people, our smiles hidden behind mask, looking for ways to stay connected to people. The way I have cropped this photo1 you would think you are seeing a girl in 2020 getting some air (through her mask) trying to stay connected to her friends while social distancing. What if I told you she was not alone though?

In the original photo you can see that the girl featured was actually surrounded by her friends in a socially distanced hangout. Just because she had her mask on and was on her phone didn’t mean she was alone. When you don’t know the other people are there you assume she was alone2. When looking at a photo you never know what the camera didn’t capture.

I Chose to make these edits not only to tell a different story but to also enhance the apeal of the image. In the original there was no main focus and the rule of thirds was not considered. there are also many distractng objects in the original, the cup, hand sanatizer and football along with the partial capture of a fourth person all pull focus from the others.

  1. “Social Distanced” By Alexa Lowry ↩︎
  2. “Together Again” By Alexa Lowry ↩︎

Celebrating Meemaw

“Mother’s Day 2023” by Shonda Sampson

We celebrated Mother’s Day 2023 with family and friends. My aunt was being installed as a mother at her church that Sunday, so several of us decided to surprise her and attend church service. After church we went to brunch and the picture is one of many we took outside the restaurant. The picture is of my mother and daughter. By cropping the picture, I was able to take away the distractions in the background. The dark color car in the parking lot you can barely see and not much of the railing is show. Also, the white chair and the two cars on the road are not visible.  The cropping showed a full picture of the ladies and gives a closer look of their beautiful smile. It shows the joy of a meemaw who normally does not take pictures excited to smile for the camera and share a picture with her granddaughter.

“Meemaw and granddaughter” by Shonda Sampson Licensed under CC BY 4.0 DEED

Don’t Be Quick To Judge

Like many before me, my search for a photo started by wading through collections of stock photos to find one that I believed could be a proper use of the cropping tool and one that tells a compelling story. I decided to get a bit personal with this submission by using it to highlight the highs and lows of being an individual who struggles with their mental health; specifically, an individual who struggles with a “Cluster B” personality disorder. I wanted to take an image that could tell two different stories and figured that by starting with the crop and then showing the full image it would lend itself better to the story that I was trying to tell.

Jo Charles “Sad Man”, edited stock photo.

From this image, we see that the man is distraught. He is overcome by negative emotions and is trying to collect himself. He is at the “low stage.”

Dan Grytsku for Alamy Stock Photo “friendship, sports and entertainment concept – happy male friends supporting football team at home. One man happy, another sad.” Royalty Free Image

But when the crop is removed, we see that the man is joined by a friend. One who is celebrating. Now we have the full picture and the full story: While one friend is celebrating a win, the other friend is distraught. Now how does this relate to mental health? For many of us, a team losing a game would not cause us to become this distraught, but what about what’s lurking beneath the surface? For those of us who suffer from “Cluster B” personality disorders, we are used to being told that we “make mountains out of molehills.” That our reactions to seemingly low-stakes situations aren’t normal, neglecting the fact that we often cannot control our reactions to these situations. That our “splitting” is a result of poorly managed distress and our attempts to self-soothe when faced with that distress.

I’m Just A Cow

Highland Cattle” by Lennart Tange is licensed under CC BY 2.0.

As interesting as the trees and landscape are in photos there’s nothing like catching a glimpse of the local wildlife. I like to imagine the original photographer of this image had no intentions of capturing highland cattle in the wild but stumbled across them. Pleasantly surprised they took this photograph with the goal of capturing the entire scene with the cattle as their focus.

The original image features a couple of highland cows, the one in the background is not looking at the camera and instead focused on grooming itself. It’s very difficult to get wild animals to stay still for your photos little own pose for it.

Highland Cattle” by Lennart Tange is licensed under CC BY 2.0.

For this reason, I have decided to crop him out of the photo and focus on the cow in the foreground. In the original image you can’t really see the emotion on the cattle’s face, cropping it allows a closer look upon the cattle exposing his emotion toward the camera man. He looks almost frightened but more so annoyed that his lunch has been interrupted.

Happy(?) Birthday

Reflective Birthday Girl by Hannah Paul CC BY 4.0 Deed

I cropped this photo to focus on the emotion of the birthday girl. Surrounded by her friends, the scene has a happy silly tone, with the balloons, cake, and friends all with distinct personalities. When I zoomed in on her face I saw a different story. Mesmerized by the candles, she seems lost in thought and maybe a little sad. Gone is the energy from the small party around her. I wonder what she is thinking about.

She’s Ready for her Close-up

“‘Darcy’ with Ashover Coach (No 4) at Newlands Inn” by lbion2012 is licensed under PDM 1.0 DEED.

My search for a photo started in the Flickr photo stream. After a bit of scrolling, I came across a wonderful photo of a steam engine. Being a person who appreciates the occasional locomotive, I wanted to find a picture of a train to crop. The profile this image was found on was chocked full of shots of planes, trains, and automobiles. After flicking through each image one by one, I was pleasantly surprised to find the above photo.

“Close up of ‘Darcy’” by Christopher Rubio is licensed under PDM 1.0 DEED. This work is a derivative of “‘Darcy’ with Ashover Coach (No 4) at Newlands Inn” by lbion2012 which is licensed under PDM 1.0 DEED.

With a face reminiscent of the characters from the Thomas the Tank Engine franchise, she would be my muse. Although she has a wonderful engine with a robust carriage, the background was much too distracting and the focus should be on her. With a quick crop, I was able to reestablish her face as the focal point of the image.

With this new crop, we do now get to focus on her face. What is she thinking about? Where is she headed? What color is that eye shadow? With this close-up, we also encounter a greater set of details: the bolts around the face plate, the tube curving around the front of the train, and the chipping paint on the buffer. One may have not noticed those things if they were distracted by the rest of the train and the background.

The crop tool was used:

  • To tell a different story
  • To emphasize a focal point
  • To simplify the background
  • To un-center a subject
  • To capture emotion

Heritage Tower: The Torch Fountain

“The torch” by Pritish Pandit is licensed under CC BY 4.0 DEED .

This picture was taken by me when I was returning to the stadium to my department where I work, I saw a very beautiful view, so I took out my phone and clicked the picture. Usually, I take my time and set my camera to a particular angle, look after various factors such as lighting, and then try my best to take a good picture. This was not the case in this picture as I was in a hurry, so I didn’t mind any of those factors. In the picture above the first thing that seemed off was the symmetry in the picture. On the left side, you can see the lamp pole but there is no pole on the other side, the next thing that I found that is not symmetrical is the towers on the top left and the top right. We can see one tower on the top left is visible but the tower on the right is getting covered by the tree.

The picture above also does not have any subject in focus. When we look at the picture, we see a lot of ambiguousness we can’t focus on a subject. The sun on the top also acts as a distraction. The proportion in the picture is also uneven, the land, the stadium at the back, and the sky looks very disproportionate.

“The torch” by Pritish Pandit is licensed under CC BY 4.0 DEED .

My main goal before I began to crop was to bring the focus of the viewer to the fountain as the original image failed to do so. I removed the lamp pole from the left side of the image making the image symmetrical. I also removed the excessive land from the bottom as it was making the image disproportionate. I removed the sun from the image as the sun was covered by clouds making it blurry and not visually appealing. The left tower helps balance the image as the rule of thirds is applied to the fountain. The Florida State University (FSU) logo becoming clearer helping viewers to inform the image is from FSU. I believe the cropped image really changes the perspective of the image. The first image just looks like a random image without any focus or subject just showing the beautiful FSU campus on the other side the second image shifts the subject to the fountain changing the narrative of the image.