{"id":63,"date":"2022-01-11T13:48:48","date_gmt":"2022-01-11T18:48:48","guid":{"rendered":"https:\/\/torch.cci.fsu.edu\/~lis5313\/?p=63"},"modified":"2025-03-04T12:42:47","modified_gmt":"2025-03-04T17:42:47","slug":"digital-story-example-matisse-painting-with-scissors","status":"publish","type":"post","link":"https:\/\/torch.cci.fsu.edu\/~lis5313\/index.php\/2022\/01\/11\/digital-story-example-matisse-painting-with-scissors\/","title":{"rendered":"Digital Story Example: Matisse &#8211; Painting with Scissors"},"content":{"rendered":"\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"video-container\"><iframe loading=\"lazy\" title=\"Matisse: Painting with Scissors\" width=\"740\" height=\"416\" src=\"https:\/\/www.youtube.com\/embed\/oBY1DBgPLLk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n\n\n\n<p class=\"has-small-font-size\"><em>Matisse \u2013 Painting with Scissors by Kyle Muller is licensed under Attribution-NonCommercial 4.0 International <a href=\"https:\/\/creativecommons.org\/licenses\/by-nc\/4.0\/\">(CC BY-NC 4.0<\/a>).<\/em><\/p>\n\n\n\n<p><strong>Synopsis<\/strong>: Henri Matisse faces a physical setback after decades of painting and devises a new technique to continue his creative passion.<br><br><strong>Content &amp; Creation<\/strong>: All visual content for this project comes from existing photographs of Matisse and his paintings pulled from online collections. Please note that use of any copyright material falls under the principles of Fair Use per category 1 (providing commentary\/critique) and category 2 (illustration\/example\/education). This video was edited using Adobe Premiere Pro. Title slides and credits were created using Photoshop to generate the paper texture. The narration is self-recorded and all other audio elements are Creative Commons assets.<br><br><strong>Image Credits<\/strong>:<\/p>\n\n\n\n<p><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/digitalcollections.nypl.org\/items\/da12fe80-c262-0135-7c50-02554749380d\">Henri Matisse (1933)<\/a> by <a href=\"https:\/\/digitalcollections.nypl.org\/search\/index?filters%5BnamePart_mtxt_s%5D%5B%5D=Van%20Vechten%2C%20Carl%2C%201880-1964&amp;keywords=&amp;layout=false\">Carl Van Vechten<\/a> from the <a href=\"https:\/\/digitalcollections.nypl.org\/search\/index?utf8=%E2%9C%93&amp;keywords=matisse\">New York Public Library Digital Collections<\/a>, (\u00a9 Van Vechten Trust)<\/li>\n\n\n\n<li><a href=\"https:\/\/digitalcollections.nypl.org\/items\/f12eddb0-c262-0135-3fc0-00131cd5277b\">Henri Matisse (1933)<\/a> by <a href=\"https:\/\/digitalcollections.nypl.org\/search\/index?filters%5BnamePart_mtxt_s%5D%5B%5D=Van%20Vechten%2C%20Carl%2C%201880-1964&amp;keywords=&amp;layout=false\">Carl Van Vechten<\/a> from the <a href=\"https:\/\/digitalcollections.nypl.org\/search\/index?utf8=%E2%9C%93&amp;keywords=matisse\">New York Public Library Digital Collections<\/a>, (\u00a9 Van Vechten Trust)<\/li>\n\n\n\n<li><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Les_Fauves,_Exhibition_at_the_Salon_D%27Automne,_from_L%27Illustration,_4_November_1905.jpg\">Press clipping, Les Fauves: Exhibition at the Salon d&#8217;Automne, in L&#8217;Illustration, 4 November 1905<\/a>, from\u00a0<a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Les_Fauves,_Exhibition_at_the_Salon_D%27Automne,_from_L%27Illustration,_4_November_1905.jpg\">Wikipedia<\/a>\u00a0(Public Domain)<\/li>\n\n\n\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/File:Matisse-Woman-with-a-Hat.jpg\">Femme au chapeau (1905)<\/a> \u00a9 Henri Matisse from <a href=\"https:\/\/en.wikipedia.org\/wiki\/File:Matisse-Woman-with-a-Hat.jpg\">Wikimedia Commons<\/a> (Public Domain in USA)<\/li>\n\n\n\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/File:Matisse-Open-Window.jpg\">Open Window, Collioure (1905)<\/a> \u00a9 Henri Matisse from <a href=\"https:\/\/en.wikipedia.org\/wiki\/File:Matisse-Open-Window.jpg\">Wikipedia<\/a> (Public Domain in USA)<\/li>\n\n\n\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/File:Matissetoits.gif\">Les toits de Collioure (1905)<\/a> \u00a9 Henri Matisse from\u00a0<a href=\"https:\/\/en.wikipedia.org\/wiki\/File:Matissetoits.gif\">Wikipedia<\/a>\u00a0(Public Domain in USA)<\/li>\n\n\n\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/File:Matisse-Luxe.jpg\">Luxe, Calme et Volupt\u00e9 (1904)<\/a> \u00a9 Henri Matisse from\u00a0<a href=\"https:\/\/en.wikipedia.org\/wiki\/File:Matisse-Luxe.jpg\">Wikipedia<\/a>\u00a0(Public Domain in USA)<\/li>\n\n\n\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/File:Bonheur_Matisse.jpg\">Le bonheur de vivre (1905-1906)<\/a> \u00a9 Henri Matisse from\u00a0<a href=\"https:\/\/en.wikipedia.org\/wiki\/File:Bonheur_Matisse.jpg\">Wikipedia<\/a>\u00a0(Public Domain in USA)<\/li>\n\n\n\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/File:La_danse_(I)_by_Matisse.jpg\">La danse I (1909)<\/a> \u00a9 Henri Matisse from\u00a0<a href=\"https:\/\/en.wikipedia.org\/wiki\/File:La_danse_(I)_by_Matisse.jpg\">Wikipedia<\/a>\u00a0(Public Domain in USA)<\/li>\n\n\n\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/File:Matisse_-_Green_Line.jpeg\">La Raie Verte (1905)<\/a> \u00a9 Henri Matisse from\u00a0<a href=\"https:\/\/en.wikipedia.org\/wiki\/File:Matisse_-_Green_Line.jpeg\">Wikipedia<\/a>\u00a0(Public Domain in USA)<\/li>\n\n\n\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/File:Henri_Matisse_Self-Portrait_in_a_Striped_T-shirt_(1906).jpg\">Self-Portrait in a Striped T-shirt (1906)<\/a> \u00a9 Henri Matisse from\u00a0<a href=\"https:\/\/en.wikipedia.org\/wiki\/File:Henri_Matisse_Self-Portrait_in_a_Striped_T-shirt_(1906).jpg\">Wikipedia<\/a>\u00a0(Public Domain in USA)<\/li>\n\n\n\n<li><a href=\"https:\/\/en.wikipedia.org\/wiki\/File:Henri_Matisse,_1918,_Portrait_du_peintre_(Autoportrait,_Self-portrait),_oil_on_canvas,_65_x_54_cm,_Matisse_Museum_(Le_Cateau).jpg\">Portrait du peintre (1918)<\/a> \u00a9 Henri Matisse from\u00a0<a href=\"https:\/\/en.wikipedia.org\/wiki\/File:Henri_Matisse,_1918,_Portrait_du_peintre_(Autoportrait,_Self-portrait),_oil_on_canvas,_65_x_54_cm,_Matisse_Museum_(Le_Cateau).jpg\">Wikipedia<\/a>\u00a0(Public Domain in USA)<\/li>\n\n\n\n<li><a href=\"https:\/\/www.moma.org\/interactives\/exhibitions\/2014\/matisse\/img\/cut-outs\/matisse-overview-large.jpg\">Matisse at the H\u00f4tel R\u00e9gina, Nice, c. 1952<\/a>\u00a0by Lydia Delectorskaya, from <a href=\"https:\/\/www.moma.org\/interactives\/exhibitions\/2014\/matisse\/the-cut-outs.html\">the Museum of Modern Art<\/a>, (\u00a9 2014 Succession H. Matisse)<\/li>\n\n\n\n<li><a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Portrait_of_Henri_Matisse_standing_at_his_easel.jpg\">Portrait of Henri Matisse standing at his easel (1913)<\/a> by <a href=\"https:\/\/en.wikipedia.org\/wiki\/en:Alvin_Langdon_Coburn\">Alvin Langdon Coburn<\/a> from <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Portrait_of_Henri_Matisse_standing_at_his_easel.jpg\">Wikimedia Commons<\/a> (Public Domain in USA)<\/li>\n\n\n\n<li><a href=\"https:\/\/www.moma.org\/interactives\/exhibitions\/2014\/matisse\/img\/cut-outs\/matisse-cutting-large.jpg\">Matisse at the H\u00f4tel R\u00e9gina, Nice, with The Parakeet and the Mermaid, c. 1952<\/a>, \u00a0by Lydia Delectorskaya, from\u00a0<a href=\"https:\/\/www.moma.org\/interactives\/exhibitions\/2014\/matisse\/the-cut-outs.html\">the Museum of Modern Art<\/a>, (\u00a9 2014 Succession H. Matisse)<\/li>\n\n\n\n<li><a href=\"https:\/\/www.biography.com\/.image\/c_limit%2Ccs_srgb%2Cfl_progressive%2Cq_auto:good%2Cw_1400\/MTI1ODE4MDExNjAzOTk5MTk4\/matisse-studio-ld_divers_35_4000pixelsjpg.jpg\">Matisse\u2019s studio, H\u00f4tel R\u00e9gina, Nice, c. 1953<\/a>, by Lydia Delectorskaya from <a href=\"https:\/\/www.biography.com\/news\/henri-matisse-the-cut-outs-moma\">Biography<\/a>\u00a0(\u00a9 2014 Succession H. Matisse)<\/li>\n\n\n\n<li><a href=\"https:\/\/www.biography.com\/news\/henri-matisse-the-cut-outs-moma#&amp;gid=ci01beff8cb00199de&amp;pid=matisse-memory-of-oceania-souvenir-doceanie-064newrt51jpg\">Souvenir d&#8217;Oc\u00e9anie (1952-1953)<\/a> by Henri Matisse, from <a href=\"https:\/\/www.biography.com\/news\/henri-matisse-the-cut-outs-moma\">Biography<\/a>, (\u00a9 2014 Succession H. Matisse)<\/li>\n\n\n\n<li><a href=\"https:\/\/www.moma.org\/interactives\/exhibitions\/2014\/matisse\/img\/cut-outs\/parakeet-and-mermaid.jpg\">The Parakeet and the Mermaid (1952)<\/a> by Henri Matisse, from\u00a0<a href=\"https:\/\/www.moma.org\/interactives\/exhibitions\/2014\/matisse\/the-cut-outs.html\">the Museum of Modern Art<\/a>, (\u00a9 2014 Succession H. Matisse)<\/li>\n\n\n\n<li><a href=\"https:\/\/www.biography.com\/news\/henri-matisse-the-cut-outs-moma#&amp;gid=ci01beff8cb00199de&amp;pid=matisse-blue-nude-027rt2jpg\">Blue Nude II (1952)<\/a> by Henri Matisse, from\u00a0<a href=\"https:\/\/www.biography.com\/news\/henri-matisse-the-cut-outs-moma\">Biography<\/a>, (\u00a9 2014 Succession H. Matisse)<\/li>\n\n\n\n<li><a href=\"https:\/\/www.biography.com\/news\/henri-matisse-the-cut-outs-moma#&amp;gid=ci01beff8cb00199de&amp;pid=matisse-the-fall-of-icarus-073rt379jpg\">La Chute d&#8217;scare (1943)<\/a>\u00a0by Henri Matisse\u00a0from <a href=\"https:\/\/www.biography.com\/news\/henri-matisse-the-cut-outs-moma\">Biography<\/a> (\u00a9 2014 Succession H. Matisse)<\/li>\n\n\n\n<li><a href=\"https:\/\/www.biography.com\/.image\/c_limit%2Ccs_srgb%2Cfl_progressive%2Cq_auto:good%2Cw_1400\/MTIwNjA4NjMzOTEwOTUzNDg0\/henri-matisse-9402564-1-raw.jpg\">Artist Henri Matisse in front of one of his drawings at his home in Nice in 1948<\/a> by <a href=\"https:\/\/www.gettyimages.com\/photos\/gjon-mili?sort=mostpopular&amp;phrase=gjon%20mili&amp;family=editorial&amp;page=1&amp;recency=anydate&amp;suppressfamilycorrection=true\">Gjon Mili<\/a>, from <a href=\"https:\/\/www.biography.com\/news\/henri-matisse-the-cut-outs-moma\">Biography<\/a>, (\u00a9 The LIFE Picture Collection\/Getty Images)<\/li>\n\n\n\n<li><a href=\"https:\/\/www.biography.com\/news\/henri-matisse-the-cut-outs-moma#&amp;gid=ci01beff8cb00199de&amp;pid=matisse-063newrt215jpg\">Nuit de No\u00ebl (1952)<\/a> by Henri Matisse, from <a href=\"https:\/\/www.biography.com\/news\/henri-matisse-the-cut-outs-moma\">Biography<\/a> (\u00a9 2014 Succession H. Matisse)<\/li>\n\n\n\n<li><a href=\"https:\/\/www.biography.com\/news\/henri-matisse-the-cut-outs-moma#&amp;gid=ci01beff8cb00199de&amp;pid=matisse-sulma-070rt180jpg\">Zulma (1950)<\/a> by Henri Matisse, from\u00a0<a href=\"https:\/\/www.biography.com\/news\/henri-matisse-the-cut-outs-moma\">Biography<\/a>\u00a0(\u00a9 2014 Succession H. Matisse)<\/li>\n\n\n\n<li><a href=\"https:\/\/www.biography.com\/news\/henri-matisse-the-cut-outs-moma#&amp;gid=ci01beff8cb00199de&amp;pid=matisse-the-sheaf-037newrt2jpg\">La Gerbe (1953)<\/a> by Henri Matisse, from\u00a0<a href=\"https:\/\/www.biography.com\/news\/henri-matisse-the-cut-outs-moma\">Biography<\/a>\u00a0(\u00a9 2014 Succession H. Matisse)<\/li>\n\n\n\n<li><a href=\"https:\/\/www.moma.org\/interactives\/exhibitions\/2014\/matisse\/img\/studio\/nice-slider-03-01-large.jpg\">Four states of Ivy in Flower (1953)<\/a> by Lydia Delectorskaya, from <a href=\"https:\/\/www.moma.org\/interactives\/exhibitions\/2014\/matisse\/in-the-studio.html\">the Museum of Modern Art<\/a>, (\u00a9 2014 Succession H. Matisse)<\/li>\n\n\n\n<li><a href=\"http:\/\/art-matisse.com\/1950_15.html\">Ivy in Flower (1953)<\/a> by Henri Matisse, from <a href=\"http:\/\/art-matisse.com\/1950_15.html\">art-Matisse.com<\/a>, (\u00a9 2014 Succession H. Matisse)<\/li>\n\n\n\n<li><a href=\"https:\/\/media.newyorker.com\/photos\/59095dcbc14b3c606c105741\/master\/w_2046,c_limit\/141020_r25644.jpg\">Matisse in Vence (1947)<\/a> by <a href=\"https:\/\/www.gettyimages.com\/detail\/news-photo\/french-artist-henri-matisse-making-paper-cutouts-in-bed-at-news-photo\/129725223\">Archive Photos\/Getty<\/a>, from <a href=\"https:\/\/www.newyorker.com\/magazine\/2014\/10\/20\/shapes-things\">the New Yorker<\/a> (\u00a9 Getty Images)<\/li>\n\n\n\n<li><a href=\"https:\/\/media.newyorker.com\/photos\/59095dbfc14b3c606c10572a\/master\/w_1928,c_limit\/141020_schjeldahl_05.jpg\">Palmette (1947)<\/a> by Henri Matisse, from\u00a0<a href=\"https:\/\/www.newyorker.com\/magazine\/2014\/10\/20\/shapes-things\">the New Yorker<\/a>, (\u00a9 2014 Succession H. Matisse)<\/li>\n<\/ul>\n\n\n\n<p><strong>Audio Credits<\/strong>:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/www.zapsplat.com\/music\/scissors-cut-paper-2-2\/\">Scissors cut paper 2<\/a> by <a href=\"https:\/\/www.zapsplat.com\/author\/zapsplat\/\">ZapSplat<\/a> (<a href=\"https:\/\/www.zapsplat.com\/license-type\/standard-license\/\">Creative Commons by Attribution per ZapSplat license<\/a>)<\/li>\n\n\n\n<li><a href=\"https:\/\/www.zapsplat.com\/music\/scissors-cut-paper-close-up-11\/\">Scissors cut paper close up 11<\/a> by <a href=\"https:\/\/www.zapsplat.com\/author\/zapsplat\/\">ZapSplat<\/a> (<a href=\"https:\/\/www.zapsplat.com\/license-type\/standard-license\/\">Creative Commons by Attribution per ZapSplat license<\/a>)<\/li>\n\n\n\n<li><a href=\"https:\/\/incompetech.com\/music\/royalty-free\/index.html?isrc=USUAN1100250\">Duet Musette<\/a> by <a href=\"https:\/\/incompetech.com\/music\/royalty-free\/music.html\">Kevin MacLeod<\/a> (<a href=\"https:\/\/creativecommons.org\/licenses\/by\/3.0\/\">Attribution 3.0 Unported (CC BY 3.0)<\/a>)<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Matisse \u2013 Painting with Scissors by Kyle Muller is licensed under Attribution-NonCommercial 4.0 International (CC BY-NC 4.0). Synopsis: Henri Matisse faces a physical setback after decades of painting and devises a new technique to continue his creative passion. Content &amp;&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[17],"class_list":["post-63","post","type-post","status-publish","format-standard","hentry","category-examples","tag-digital-story"],"_links":{"self":[{"href":"https:\/\/torch.cci.fsu.edu\/~lis5313\/index.php\/wp-json\/wp\/v2\/posts\/63","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/torch.cci.fsu.edu\/~lis5313\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/torch.cci.fsu.edu\/~lis5313\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/torch.cci.fsu.edu\/~lis5313\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/torch.cci.fsu.edu\/~lis5313\/index.php\/wp-json\/wp\/v2\/comments?post=63"}],"version-history":[{"count":5,"href":"https:\/\/torch.cci.fsu.edu\/~lis5313\/index.php\/wp-json\/wp\/v2\/posts\/63\/revisions"}],"predecessor-version":[{"id":8458,"href":"https:\/\/torch.cci.fsu.edu\/~lis5313\/index.php\/wp-json\/wp\/v2\/posts\/63\/revisions\/8458"}],"wp:attachment":[{"href":"https:\/\/torch.cci.fsu.edu\/~lis5313\/index.php\/wp-json\/wp\/v2\/media?parent=63"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/torch.cci.fsu.edu\/~lis5313\/index.php\/wp-json\/wp\/v2\/categories?post=63"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/torch.cci.fsu.edu\/~lis5313\/index.php\/wp-json\/wp\/v2\/tags?post=63"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}